Hello, I'm queer-scribbling, and you may call me Briar.
You can use they/their/theirs/themself pronouns for me, but don't be alarmed if other pronouns are experimented with in the future.
I'm currently a mod in the Pillowfort Snowflake Challenge community, 'Mod Briar' for the Gender Exploration Carnival, and I'm a back-up mod for the Pillowfort Fandom Calendar community.
While I've been a fannish person for years, I only got around to creating a Dreamwidth account in December 2023 in order to help out with the 2024 round of Fandom Snowflake Challenge. My archive will back-date posts from Pillowfort and various Tumblr blogs (including a Wordle sideblog), but it's not going to offend me if most people aren't interested in all that. It's likely that you, hypothetical reader, are stopping by because of the Fandom Snowflake Challenge, and you want to get an idea of what fannish things you might encounter here.
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Ghosts S4E15
Saturday, 8 March 2025 03:00 am-_-
It feels like there's nothing left to say that hasn't already been said before [Xmas special, E11]. However, I will say that Flower's interjections to unnecessarily explain a euphemism for having sex as "when two adults share a special hug" (twice with, I think, slightly different wording after the hug bit) to Sass, who is clear that he doesn't need the explanation, adds in a dash of infantilization to all this virgin joking. He's more than aware of what everyone means if someone says 'doing it'.
Flower even gets in a line about how [plot relevant mistake Alberta made] can't be worse than Sass being a virgin. I'd love for the writers to get a new joke. I'm kind of wary as to what may happen in the next episode as we deal with Chris, the stripper hired for the bachelorette party, dying on the property; for non-viewers, Chris had an 'It's Raining Men' package where he parachuted in, but something went wrong with his parachute opening in this jump, and he crashed through the roof of Jay's newly open restaurant. I'm not saying that I'm confident that Flower will act pushy about Sass having a new ghost to fix his virgin problem with, but I'm wary of that being thrown in.
All Creatures Great & Small (S5E7)
Sunday, 23 February 2025 02:00 amThe Xmas Special aka S5E7: All God's Creatures.
Telly Visions recap.
I feel kinda bad when I nitpick the Telly Visions recaps, but I do feel like it's important to point out that it is not December 1942. The attack on Pearl Harbor which drew the US into WWII happened on 7 December 1941 [there was a brief mention of the US entering the war], and more importantly for this show, the sinking of the HMS Repulse (and HMS Prince of Wales) took place on 10 December 1941.
We had an announcement of this sinking instead of the King's Christmas Message, and most of the tension was whether Edward Hall's name was going to appear in the lists of casualties in the newspaper in the upcoming weeks. Mrs Hall focused on cleaning the kitchen, swapping excess clothing coupons with someone in order to get a goose set aside, and trying to prepare for the upcoming Xmas and Jimmy's first birthday celebration. In order to reduce stress on Mrs Hall, they actually hold the birthday celebration on the 23rd at Helen's family's home. Her dad and James get in a back-and-forth over whether the farm animal set or child appropriate doctor bag [with at least a stethoscope] are better gifts, since they're not in agreement on whether Jimmy will grow up to be a farmer or vet. (For what it's worth, Helen doesn't really care at this point, and she's just glad Jimmy made it to his first birthday, which gets everyone else to calm down a smidge.)
A young boy with a fondness for the unusual creatures (snail, a mouse) leaves a fox at Skeldale House earlier in December, and Mrs Hall finds solace in interacting with it as she waits for news of Edward, even though she knows she shouldn't encourage it to be around humans. A letter from Edward posted before the sinking leads her to visit a discharged shipmate [injured before this event], who does reveal that if Edward were on duty in the engine room, there's really not much of a chance of surviving. When Mrs Hall finds the fox with an infected bite (probably from a dog) on Xmas eve, she is upset that Siegfried initially suggests euthanasia which is where the title comes from (Who are you to decide which of God's creatures lives and dies?). Siegfried is aware that this is mostly a reaction to worrying over Edward, but he agrees to try to help the fox.
In the morning, there's a phone call from Edward (and the fox appears to be recovering well enough), and Xmas is salvaged as celebratory. (Except for the goose. Siegfried was distracted enough around the date that he was supposed to pick it up that Xmas is goose-less this year.) Other than all of this going on, Tristan gets a task to find pigeon breeders because the RAF is looking to increase their pigeon flock. (This was mostly a way to give a shout-out to how important pigeons were in past wars, but Tristan did help a man treat some of his pigeons for lead poisoning from lead paint and get some pigeons to breed in exchange.)
Telly Visions recap.
I feel kinda bad when I nitpick the Telly Visions recaps, but I do feel like it's important to point out that it is not December 1942. The attack on Pearl Harbor which drew the US into WWII happened on 7 December 1941 [there was a brief mention of the US entering the war], and more importantly for this show, the sinking of the HMS Repulse (and HMS Prince of Wales) took place on 10 December 1941.
We had an announcement of this sinking instead of the King's Christmas Message, and most of the tension was whether Edward Hall's name was going to appear in the lists of casualties in the newspaper in the upcoming weeks. Mrs Hall focused on cleaning the kitchen, swapping excess clothing coupons with someone in order to get a goose set aside, and trying to prepare for the upcoming Xmas and Jimmy's first birthday celebration. In order to reduce stress on Mrs Hall, they actually hold the birthday celebration on the 23rd at Helen's family's home. Her dad and James get in a back-and-forth over whether the farm animal set or child appropriate doctor bag [with at least a stethoscope] are better gifts, since they're not in agreement on whether Jimmy will grow up to be a farmer or vet. (For what it's worth, Helen doesn't really care at this point, and she's just glad Jimmy made it to his first birthday, which gets everyone else to calm down a smidge.)
A young boy with a fondness for the unusual creatures (snail, a mouse) leaves a fox at Skeldale House earlier in December, and Mrs Hall finds solace in interacting with it as she waits for news of Edward, even though she knows she shouldn't encourage it to be around humans. A letter from Edward posted before the sinking leads her to visit a discharged shipmate [injured before this event], who does reveal that if Edward were on duty in the engine room, there's really not much of a chance of surviving. When Mrs Hall finds the fox with an infected bite (probably from a dog) on Xmas eve, she is upset that Siegfried initially suggests euthanasia which is where the title comes from (Who are you to decide which of God's creatures lives and dies?). Siegfried is aware that this is mostly a reaction to worrying over Edward, but he agrees to try to help the fox.
In the morning, there's a phone call from Edward (and the fox appears to be recovering well enough), and Xmas is salvaged as celebratory. (Except for the goose. Siegfried was distracted enough around the date that he was supposed to pick it up that Xmas is goose-less this year.) Other than all of this going on, Tristan gets a task to find pigeon breeders because the RAF is looking to increase their pigeon flock. (This was mostly a way to give a shout-out to how important pigeons were in past wars, but Tristan did help a man treat some of his pigeons for lead poisoning from lead paint and get some pigeons to breed in exchange.)
There are some shows where I simply mentioned in passing that I'd watched the weekly episode, so I don't have a lot to save from different tv_talk Speak Up Saturday posts.
Back for S1 of Tracker, I think I just have a reply to someone asking about whether E2 was better than E1.
From here:
From here:
Back for S1 of Tracker, I think I just have a reply to someone asking about whether E2 was better than E1.
Around S1E2
From here:
The overarching matter of Colter's family and backstory gets some progress, but I'm not sure if it's really enough to hold anyone who can't tolerate the weekly case. (It might be something that won't be easy to judge until later.) Colter didn't meet any past one-night stands or hook up with anyone new and he avoided needing bailed out of jail, so that's not shaping up to be an every episode occurrence. I think in some ways S1E2 was better, but it might depend on how you tolerate fictional depictions of cults and getting someone out of one. For a one-off episode, I could tolerate it, but I'd rather not run into a repeat of this type of case in the show (the resolution is kinda simple, and extracting someone from a high-control group often isn't that easy).
After S2E9
From here:
Woven throughout the case-of-the-week plots, Colter has spent quite a bit of the first half of this season trying to solve an old case where he never found the person he was asked to find (the sister of his then-girlfriend). I haven't found that quite as compelling as I suspect TPTB wanted it to be. He engaged in anniversary-of-disappearance harassment, his gut instinct was sorta right (which seems to justify the harassment), he got a retired cop to help go over the case who physically tortured someone for info, and it was only satisfying that the case was finally finished so all this could stop. It probably wasn't supposed to come across like an escalation of lines being crossed, but I just didn't get this 'how nice that he'll stop at nothing to help someone' reaction.I know this might seem like a nitpicky detail given how common of a trope it is, but I just don't like when torture is used as an accurate fact finding method. I followed a torture debunking Tumblr for too long to still think that's true; I'm unsure if they're still on Tumblr in 2025, so I haven't linked them (given the heavy topic, they took scheduled breaks in order to safely engage with torture research). I kind of liked that S2E10 had a local cop drive Colter out to the middle of nowhere in order to slow his search down. Just felt like a nice break from the torture happy retired cop.
All Creatures Great & Small (S5)
Sunday, 16 February 2025 02:30 amAfter watching some gifsets of All Creatures Great & Small cross my dash through the UK airing of series/season 5, it's finally here in the US.
I'll put more substantial recaps in the comments.
ETA: I updated the post date to the end of the season in February, so everything wouldn't be clustered in January.
I'll put more substantial recaps in the comments.
ETA: I updated the post date to the end of the season in February, so everything wouldn't be clustered in January.
Ghosts S4E11
Saturday, 15 February 2025 03:00 amRemember the virgin joke post? I had hoped that was going to be the end of this topic, but unfortunately, it wasn't.
My family got around to S4E11, which mostly is not about this issue. Thorfinn attends a therapy session to address the abandonment he still struggled with on the anniversary of him being left behind in the New World (and this episode is about him moving on, whatever), and the ending was a bunch of the rest of the ghosts chiming in within a group ghost therapy session.
Sass' contribution: I'm a virgin.
Sam has to pretend she's got all of their issues going on in order to voice them, so the therapist looks a bit confused as he answers: Aren't you married?
Sam: Yeah, isn't that weird?
...
I don't even know how to convey the internal sigh, glare, disappointment mashup going on. The therapist's disbelief that a married woman might be a virgin. The deflection as Sam tries to come up with a non-ghost answer that goes for how weird that idea is. It was one of the ending contributions, so it feels like the last bit of humor getting in at the very end of the episode. (So, more 'the funny thing to focus on is an adult virgin' going on.)
While virgin doesn't equal ace necessarily, it feels like this is a world that doesn't have any awareness of asexuality. Granted, there's a possibility that this may come up in future episodes, but currently, there haven't been any signs of awareness. I know this is a 30-minute comedy show once a week, and it's not trying to be a sweeping educational show here. Still, after spending some time on Isaac coming to terms with attitudes around homosexuality changing from his lifetime [1770s] and coming out, a part of me wishes that someone could nod to the ace community in some way.
Sass' contribution: I'm a virgin.
Sam has to pretend she's got all of their issues going on in order to voice them, so the therapist looks a bit confused as he answers: Aren't you married?
Sam: Yeah, isn't that weird?
...
I don't even know how to convey the internal sigh, glare, disappointment mashup going on. The therapist's disbelief that a married woman might be a virgin. The deflection as Sam tries to come up with a non-ghost answer that goes for how weird that idea is. It was one of the ending contributions, so it feels like the last bit of humor getting in at the very end of the episode. (So, more 'the funny thing to focus on is an adult virgin' going on.)
While virgin doesn't equal ace necessarily, it feels like this is a world that doesn't have any awareness of asexuality. Granted, there's a possibility that this may come up in future episodes, but currently, there haven't been any signs of awareness. I know this is a 30-minute comedy show once a week, and it's not trying to be a sweeping educational show here. Still, after spending some time on Isaac coming to terms with attitudes around homosexuality changing from his lifetime [1770s] and coming out, a part of me wishes that someone could nod to the ace community in some way.
Vienna Blood (S4)
Sunday, 12 January 2025 02:30 amWith the history of splitting up episodes for tv viewing, I'll need to double check my numbering. Like, last week and this week were both S4E1, and it could just be a sign that we didn't get the longer version of numbering this time around. I dunno.
We're in early 1909, I believe. Part of investigating this case involved going to a casino, and thank [insert deity of your choice], we did not have to sit through poker. I cannot tell you how many times a show will try to do something with poker, and I'm just clueless. I'm not sure Max's father was entirely correct that the Talmud doesn't mention gambling, but you know, he was just excited to help Max dress up to look like an English Lord for the attempted undercover trip. (Max returned from a New York book tour, so he's now internationally recognised and seemed to forget that might make undercover attempts less likely to succeed now.)
E2 specifically involves the help of The Palace's staff to get Max down into the exclusive game while Oskar tracks down whatever was left in the cloak-slash-storage room associated with the number they have from the singer. It turns out to be a gun with a silencer, which won't be revealed until the next episode. Personally I wouldn't so far as the recapper as to say that Max is merely naive when he's appalled by the exclusive game offering the chance to gamble with people (and much higher stakes than simply money). This may be a time of more secular assimilation for Jews in the Austro-Hungarian Empire, but I don't think it's really that surprising that a Jew is uneasy about gambling with people and getting into quasi-slavery territory. (Belief isn't required to be aware of the stories in the Torah and a major theme of a holiday [Pesach].) However, the major thing about E2 is that the episode ends with Oskar trying to follow the shadowy person who took the suitcase with the rifle with the silencer into the foggy tunnels of the former mine and thinking he unintentionally shot Max because he only heard his own gunshot.
There's this 'Oskar talking to Max in a weird almost dream mind-space' thing that maintains some amount of Max's character while he's dealing with surgery and recovery, but I'm not a huge fan of it. I suppose it works alright enough for this season, but I'm glad it hasn't been a tactic for the whole show. Oskar is framed for Therese's husband being murdered, he's getting too close to figuring out who Mephisto is, what feels like the usual sort of narrative when doing a 'hunting for a traitor' type of story. I dunno how complicated this is all going to wind up being in the end, but the mysterious figure shooting the constable [who has been a part of stopping Oskar's investigation into Mephisto] in front of Oskar instead of him was definitely a move. It could just be the shadowy figure who shot Max with the rifle with the silencer, but it also felt very deliberate that the person in the window didn't shoot Oskar.
(Max's parents mention that they're going to shul because the rabbi is going to say a certain service for Max. I might have to rewatch to catch the specific phrase there, but I suspect it has something to do with including him in the Mi Shebeirach - a prayer for those who need healing.)
I'm not sure what else to say but everything finally slots into place. Oskar gets help from those who believe he didn't actually kill Therese's husband, and he really gets to have the case-solving spotlight. Max does come out of his coma in the end, but we mostly get to see more of that weird almost-dream space (and Oskar delivers a touching eulogy for dream-Max there, in case Max dies). Due to saving the Emperor's life, Oskar gets a letter from him for being reinstated in the police force, so he gets to return to work in the end.
Matthew Beard & Juergen Maurer Talk 'Vienna Blood's Accidental Timeliness:
You, hypothetical reader, probably aren't aware of how many people I've heard talk about this preparation, this sense of checking to see if it's time to flee yet. This may not be making aliyah, but it very well may be looking to see what other countries are (relatively) safer. No, not everyone, but it's a very real resonance for some.
E1 Mephisto Waltz
Recap.We're in early 1909, I believe. Part of investigating this case involved going to a casino, and thank [insert deity of your choice], we did not have to sit through poker. I cannot tell you how many times a show will try to do something with poker, and I'm just clueless. I'm not sure Max's father was entirely correct that the Talmud doesn't mention gambling, but you know, he was just excited to help Max dress up to look like an English Lord for the attempted undercover trip. (Max returned from a New York book tour, so he's now internationally recognised and seemed to forget that might make undercover attempts less likely to succeed now.)
E2: A Winning Hand
Recap.E2 specifically involves the help of The Palace's staff to get Max down into the exclusive game while Oskar tracks down whatever was left in the cloak-slash-storage room associated with the number they have from the singer. It turns out to be a gun with a silencer, which won't be revealed until the next episode. Personally I wouldn't so far as the recapper as to say that Max is merely naive when he's appalled by the exclusive game offering the chance to gamble with people (and much higher stakes than simply money). This may be a time of more secular assimilation for Jews in the Austro-Hungarian Empire, but I don't think it's really that surprising that a Jew is uneasy about gambling with people and getting into quasi-slavery territory. (Belief isn't required to be aware of the stories in the Torah and a major theme of a holiday [Pesach].) However, the major thing about E2 is that the episode ends with Oskar trying to follow the shadowy person who took the suitcase with the rifle with the silencer into the foggy tunnels of the former mine and thinking he unintentionally shot Max because he only heard his own gunshot.
E3: The Enemy Within
Recap.There's this 'Oskar talking to Max in a weird almost dream mind-space' thing that maintains some amount of Max's character while he's dealing with surgery and recovery, but I'm not a huge fan of it. I suppose it works alright enough for this season, but I'm glad it hasn't been a tactic for the whole show. Oskar is framed for Therese's husband being murdered, he's getting too close to figuring out who Mephisto is, what feels like the usual sort of narrative when doing a 'hunting for a traitor' type of story. I dunno how complicated this is all going to wind up being in the end, but the mysterious figure shooting the constable [who has been a part of stopping Oskar's investigation into Mephisto] in front of Oskar instead of him was definitely a move. It could just be the shadowy figure who shot Max with the rifle with the silencer, but it also felt very deliberate that the person in the window didn't shoot Oskar.
(Max's parents mention that they're going to shul because the rabbi is going to say a certain service for Max. I might have to rewatch to catch the specific phrase there, but I suspect it has something to do with including him in the Mi Shebeirach - a prayer for those who need healing.)
E4: The Face of Mephisto
Recap.I'm not sure what else to say but everything finally slots into place. Oskar gets help from those who believe he didn't actually kill Therese's husband, and he really gets to have the case-solving spotlight. Max does come out of his coma in the end, but we mostly get to see more of that weird almost-dream space (and Oskar delivers a touching eulogy for dream-Max there, in case Max dies). Due to saving the Emperor's life, Oskar gets a letter from him for being reinstated in the police force, so he gets to return to work in the end.
Post-Season
This is currently believed to be the last season of the show, though things have been left in such a way that it wouldn't be impossible to come back for a season 5. It does feel like... Like something has ended when a show that doesn't flinch away from historical antisemitism or apologise for humanising this Jewish family is no longer airing. Mr and Mrs Liebermann have a moment where they propose the idea of returning to London instead of trying to remain in Vienna, and this feels like a time where I can understand.Matthew Beard & Juergen Maurer Talk 'Vienna Blood's Accidental Timeliness:
Alluding to the Liebermann family's unusual position in Vienna as successful, wealthy business owners who are also foreign Jews, Beard believes "it'd be irresponsible not to at least touch on" how the unsettled times "would affect their lives in Vienna." The Liebermanns have had to endure both subtle and overt antisemitism each season, culminating in a sad, quiet moment in the fourth season's finale, where Max's mother Rachel suggests to Mendel that it might be time for them to close up shop and return to England. Beard concludes that paradoxically, the disturbing subject matter from 1909 is so resonant now that the material was "more accessible to play, and to tap into, because unfortunately, that fear is with us now, as well."
You, hypothetical reader, probably aren't aware of how many people I've heard talk about this preparation, this sense of checking to see if it's time to flee yet. This may not be making aliyah, but it very well may be looking to see what other countries are (relatively) safer. No, not everyone, but it's a very real resonance for some.
Only Murders in the Building (S2)
Friday, 10 January 2025 02:30 amSeason 2 is here [on tv]. It's another round of dropping several episodes at once.
Oliver, Charles, and Mabel are interviewed after the dramatic ending of S1 where they're being led away in handcuffs, but they're released and explicitly warned that they're persons of interest who the police are looking for more evidence for. Mabel wants to try living a boring life, but after the S1 rival (more famous) podcaster releases an episode about them (as the Only Murderers in the Building), they quickly band back together to solve Bunny's murder in an effort to clear their own names. I'm not a bird person, but I think the actor who played Bunny is voicing the bird for a particularly surprising soundalike moment for the three.
When it comes to a season two of the podcast, they're all looking to benefit outside of just not being sent off to prison: Oliver runs into Amy Schumer (who's taking over the penthouse from S1 resident, Sting) who wants to talk about turning their podcast into a tv series, Charles is informed that there's interest in a Brazzos reboot (he was previously assumed dead until he appeared in the papers) with him as Uncle Brazzos, and the attention is briefly helping Mabel get recognized as an artist. Alice is in charge of some collective or something and invites her to the gallery with an offering to have her join.
To go back a smidge, two other Arconia characters in E1 enter Bunny's apartment to try to take a porn-y painting that's supposedly worth a million dollars, which is how Mabel, Charles, and Oliver find the hidden lift in Bunny's closet. The painting unexpectedly shows up in Charles' apartment at the very end of the episode, and E2 gets back to that. The naked man in the painting is Charles' father, and there's some talk of balls before the three get around to trying to sneak the painting back into Bunny's apartment. (Don't worry, there's a convenient wake happening there that Howard just happened to stop by to invite them to, which will excuse their presence. His black eye may or may not be relevant later.) The door to the secret lift apparently locks automatically and Charles finds out by locking them out of the building, they panic and leave the covered painting in between the dumpsters, and Charles will find out that the painting is missing later.
Bunny's mother, Leonora, shows up at the wake and insists that the painting belongs to her. She does this weird sniffing thing that proves to her that Mabel, Charles, and Oliver aren't the killers, but I have no idea what's going on with that. She's very aware that the man in the painting is Charles' father, which seems to explain why she's so tolerant of a seeming stranger asking so many questions. It turns out that his father was having an affair with her and the painter, Something Rose (?), back then; we get some flashbacks to Young!Charles having to wait outside the building during one of his father's "auditions" which may or may not have been sex and/or nude painting sessions. (It feels like this was a somewhat paid endeavor with the painter, but later information about the father may contradict this.) When Oliver stops by the penthouse to talk to Amy Schumer about this series idea, he finds out that she was the one who found the painting. Leonora, Charles, and Mabel appear, and Leonora reveals that it's a replica. It's possible that Bunny's killer was someone who wanted the original (and is still trying to frame M/C/O for the murder).
(Amy Schumer has this idea for making the tv series adaption all about Jan, who will be played by herself, so she gets 'into character' by pretending to have a childhood crush on Charles and tries to insist on keeping the painting because it looks like Charles. It's supposed to come across as uncomfortably intense, and... It succeeds.)
Also: Alice invites Mabel to the studio part of the gallery, or wherever it is, and she presents a kind of abstract sculpture that represents her. She offers Mabel an axe and will record her destroying the sculpture (and if Mabel wants, she can have a copy of the video). It's presented as this type of art therapy that she's done with others, so even though it kind of comes across as personally odd to have someone you've barely been introduced to for like 24 hours do this, Mabel takes part. [I'm not an art person, but it initially looks like freshly sculpted clay until Mabel takes the axe to it, and it's like ceramic-ish white inside. It seems like something that Alice had to have had done and waiting for a bit.] Mabel does feel better afterwards, and she kisses Alice. (It's not un-reciprocated, but personally, it comes across as fast. I'm not really the best person to ask about 'how soon is too soon to kiss someone' here, though.) And Mrs Gambolini, the pet bird, is left to Oliver in Bunny's will.
As much as the narrative presents our podcast trio as the focal characters with a sympathetic view of their events of the day, I liked getting a break from them. Bunny is a bit foul-mouthed at times, but she's unlikable for being a stickler for the rules as Board President in a way that also reveals her more positive aspect of noticing details about people. She tips the waiter at Pickle Jar Diner with enough extra for him to the DJ equipment he must have brought up to her over the years, she mentions the doorman's wife's knee while grumbling about him not picking up a littered plastic plate, and she seems to enjoy the walk with Nina about preparing to take over as Board President (though Nina is very pregnant and Bunny's not 100% sold on the idea of moving to Boca Raton, Florida). She really seems to enjoy Charles' offhanded comment 'what would we do without you' when she knows the trick to getting the lift started again, and she seemed to want to use her last board meeting to announce that she didn't want to actually leave. Nina does not take this well, and Howard takes down the insult trading in the meeting minutes [our trio found while initially snooping inside Bunny's apartment]. There's a scene where she maybe wanted to join the trio on celebrating their success with Jan/podcast ending that sets off the second-hand embarrassment, but we get to see a bit of work shoes and long trousers from the killer appearing at her apartment. (I can never remember where most characters live, but Bunny is a few doors down from Mabel, which might explain how she managed to get there before finally dying.)
S2E1: Persons of Interest
Recap.Oliver, Charles, and Mabel are interviewed after the dramatic ending of S1 where they're being led away in handcuffs, but they're released and explicitly warned that they're persons of interest who the police are looking for more evidence for. Mabel wants to try living a boring life, but after the S1 rival (more famous) podcaster releases an episode about them (as the Only Murderers in the Building), they quickly band back together to solve Bunny's murder in an effort to clear their own names. I'm not a bird person, but I think the actor who played Bunny is voicing the bird for a particularly surprising soundalike moment for the three.
When it comes to a season two of the podcast, they're all looking to benefit outside of just not being sent off to prison: Oliver runs into Amy Schumer (who's taking over the penthouse from S1 resident, Sting) who wants to talk about turning their podcast into a tv series, Charles is informed that there's interest in a Brazzos reboot (he was previously assumed dead until he appeared in the papers) with him as Uncle Brazzos, and the attention is briefly helping Mabel get recognized as an artist. Alice is in charge of some collective or something and invites her to the gallery with an offering to have her join.
S2E2: Framed
Recap.To go back a smidge, two other Arconia characters in E1 enter Bunny's apartment to try to take a porn-y painting that's supposedly worth a million dollars, which is how Mabel, Charles, and Oliver find the hidden lift in Bunny's closet. The painting unexpectedly shows up in Charles' apartment at the very end of the episode, and E2 gets back to that. The naked man in the painting is Charles' father, and there's some talk of balls before the three get around to trying to sneak the painting back into Bunny's apartment. (Don't worry, there's a convenient wake happening there that Howard just happened to stop by to invite them to, which will excuse their presence. His black eye may or may not be relevant later.) The door to the secret lift apparently locks automatically and Charles finds out by locking them out of the building, they panic and leave the covered painting in between the dumpsters, and Charles will find out that the painting is missing later.
Bunny's mother, Leonora, shows up at the wake and insists that the painting belongs to her. She does this weird sniffing thing that proves to her that Mabel, Charles, and Oliver aren't the killers, but I have no idea what's going on with that. She's very aware that the man in the painting is Charles' father, which seems to explain why she's so tolerant of a seeming stranger asking so many questions. It turns out that his father was having an affair with her and the painter, Something Rose (?), back then; we get some flashbacks to Young!Charles having to wait outside the building during one of his father's "auditions" which may or may not have been sex and/or nude painting sessions. (It feels like this was a somewhat paid endeavor with the painter, but later information about the father may contradict this.) When Oliver stops by the penthouse to talk to Amy Schumer about this series idea, he finds out that she was the one who found the painting. Leonora, Charles, and Mabel appear, and Leonora reveals that it's a replica. It's possible that Bunny's killer was someone who wanted the original (and is still trying to frame M/C/O for the murder).
(Amy Schumer has this idea for making the tv series adaption all about Jan, who will be played by herself, so she gets 'into character' by pretending to have a childhood crush on Charles and tries to insist on keeping the painting because it looks like Charles. It's supposed to come across as uncomfortably intense, and... It succeeds.)
Also: Alice invites Mabel to the studio part of the gallery, or wherever it is, and she presents a kind of abstract sculpture that represents her. She offers Mabel an axe and will record her destroying the sculpture (and if Mabel wants, she can have a copy of the video). It's presented as this type of art therapy that she's done with others, so even though it kind of comes across as personally odd to have someone you've barely been introduced to for like 24 hours do this, Mabel takes part. [I'm not an art person, but it initially looks like freshly sculpted clay until Mabel takes the axe to it, and it's like ceramic-ish white inside. It seems like something that Alice had to have had done and waiting for a bit.] Mabel does feel better afterwards, and she kisses Alice. (It's not un-reciprocated, but personally, it comes across as fast. I'm not really the best person to ask about 'how soon is too soon to kiss someone' here, though.) And Mrs Gambolini, the pet bird, is left to Oliver in Bunny's will.
S2E3: The Last Day of Bunny Folger
Recap. There's a little bit at the beginning where the Mabel, Charles, and Oliver trio are trying to think out loud about what info they have (the police can't find the knife, Bunny received a threatening note about the painting, Mabel heard her last words), but it's mostly Bunny's perspective on her last day.As much as the narrative presents our podcast trio as the focal characters with a sympathetic view of their events of the day, I liked getting a break from them. Bunny is a bit foul-mouthed at times, but she's unlikable for being a stickler for the rules as Board President in a way that also reveals her more positive aspect of noticing details about people. She tips the waiter at Pickle Jar Diner with enough extra for him to the DJ equipment he must have brought up to her over the years, she mentions the doorman's wife's knee while grumbling about him not picking up a littered plastic plate, and she seems to enjoy the walk with Nina about preparing to take over as Board President (though Nina is very pregnant and Bunny's not 100% sold on the idea of moving to Boca Raton, Florida). She really seems to enjoy Charles' offhanded comment 'what would we do without you' when she knows the trick to getting the lift started again, and she seemed to want to use her last board meeting to announce that she didn't want to actually leave. Nina does not take this well, and Howard takes down the insult trading in the meeting minutes [our trio found while initially snooping inside Bunny's apartment]. There's a scene where she maybe wanted to join the trio on celebrating their success with Jan/podcast ending that sets off the second-hand embarrassment, but we get to see a bit of work shoes and long trousers from the killer appearing at her apartment. (I can never remember where most characters live, but Bunny is a few doors down from Mabel, which might explain how she managed to get there before finally dying.)
Fandom Snowflake Challenge
Tuesday, 7 January 2025 02:35 pmChallenge #4: Set Goals For The Year
These are going to look very familiar to last year's goals [PF link | DW link].
Goal 1: I would like to make progress on archiving my AO3 fic on SquidgeWorld Archive.
Goal 2: I would like to make at least one post [on any blog] for a book I've read.
Goal 3: I would like to post at least one fandom event into the PF Fandom Calendar community each month.
These are going to look very familiar to last year's goals [PF link | DW link].
Goal 1: I would like to make progress on archiving my AO3 fic on SquidgeWorld Archive.
Yeah, I wanted to finish this archiving last year, but I think it'll be more reasonable to just make progress this year.
I'm pretty sure I only have multi-chapter works and one fandom left. I got hung up on whether I should just tag the one fic as Abandoned and remove it from the planned series, and then I needed to remove a few works from AO3, and I keep putting off touching a fic I still get comments asking about updates on. I'm not unaware that I could just copy things over as-is, but a part of me is like, we haven't thought about this fic since 2018/2019, and we probably need to admit it's at least on hiatus, if not abandoned, now. We're allowed to not finish a work-in-progress fic. No one will hunt us for sport if we do that.
I'm pretty sure I only have multi-chapter works and one fandom left. I got hung up on whether I should just tag the one fic as Abandoned and remove it from the planned series, and then I needed to remove a few works from AO3, and I keep putting off touching a fic I still get comments asking about updates on. I'm not unaware that I could just copy things over as-is, but a part of me is like, we haven't thought about this fic since 2018/2019, and we probably need to admit it's at least on hiatus, if not abandoned, now. We're allowed to not finish a work-in-progress fic. No one will hunt us for sport if we do that.
Goal 2: I would like to make at least one post [on any blog] for a book I've read.
I have nothing against past-me for just wanting to make progress on my To Be Read pile, but I would also like future-me to actually remember to share something. It could be a post with chattering in the comments, it could be one nice quote, just something.
In terms of the mid-year update on the two books: I have not finished the time travel one. I think I have like five more pages in the other one, but my family watched the movie so it feels like I basically finished the book. It's the one I devoured in too little time, though, so I would like to do a slower re-read at some point.
In terms of the mid-year update on the two books: I have not finished the time travel one. I think I have like five more pages in the other one, but my family watched the movie so it feels like I basically finished the book. It's the one I devoured in too little time, though, so I would like to do a slower re-read at some point.
Goal 3: I would like to post at least one fandom event into the PF Fandom Calendar community each month.
I did accomplish this in 2024, and it's probably low hanging fruit in terms of setting a goal for myself. I usually try to catch something from the DW Fandom Calendar community, but for 2025, I feel like I ought to add in some other fandom event sources. I tend to find a lot of exchanges, and it just feels like I need to add in a little more variety, you know?
From SquidgeStatus:
On the one hand, a forum place for community discussion that is not joining a dozen separate Discord servers. On the other hand, six hours to make a decision about a site that I can't see a demo of before joining. Hm.
Squidge.org is proud to bring you FenRecs.com - a new site that's designed to share fanfiction and other fanworks recommendations, as well as places for community discussion, from writing advice to beta requests to fandom and pairing recommendations. The site uses open-source software called Lemmy, and it is designed to be much like Reddit. If you don't know what Reddit is, it's a website that allows people to have different communities (subreddits) where they share things - from pictures to news to stories.Additional info
For privacy reasons, you won't be able to access FenRecs.com unless you have an account. This seems to be the best way to keep people's privacy requests fulfilled. The site allows you to block other accounts, but the one thing it does not have (at least at the moment) is tags. So you cannot search for or add tags to posts, nor can you block tags. We'll be continuing to research and see if we can add this in the future. Additionally, there is the ability to have downvotes for posts, but it is disabled at the current time. If and when the site rollout goes smoothly, downvotes may be rolled out as well.
If you are familiar with Reddit, then FenRecs.com will be second nature to you. You'll find Fic Recs and other discussions that you can upvote. A post with lots of upvotes will mean to the casual visitor that this is a fic that many people like. A post with fewer upvotes doesn't mean the work is any less valuable than a higher upvoted fic. It just means that not enough people have red it to recommend it.
User registration is going to be fully open from 10am Pacific Time until 4pm Pacific Time January 2nd, 2025 - just a six hour period. We're doing this because we do need an influx of people to come in, poke around, create some communities, and add in some fic recs and/or other discussions. After 4pm Pacific Time 1/2/25, registration will still be open; however registration will need to be approved by admins.
On the one hand, a forum place for community discussion that is not joining a dozen separate Discord servers. On the other hand, six hours to make a decision about a site that I can't see a demo of before joining. Hm.
Ghosts S4 (Xmas Special)
Thursday, 2 January 2025 02:00 pmI was taking a quick glance through the New Year's Resolution 2025 prompts for Ghosts (US), and I must admit the idea of Jay being able to see the ghosts is tempting. I know what this past Xmas special included, which possibly post-dates the prompt, but a part of me wants to bust out some Fix-It on that episode.
A virgin joke. -_- How funny.
Sasappis died before he had sex with anyone. He hasn't had any ghost sex. He's a 500 year old virgin! Cue the 'pathetic' comments and 'how does that even happen' and 'isn't that so sad' and an attempt to find someone in order to 'fix this'. The thing that was focused on as what really needed fixed was Sasappis and Thorfinn's friendship after Thorfinn felt compelled to reveal this secret, but I wish we could've spared a moment to address how Sasappis isn't sad/pathetic/needing fixed for his suddenly revealed virginity.Fandom Snowflake Challenge
Wednesday, 1 January 2025 05:00 pmDay #1: In your own space, update your fandom information.
I've done a bit of an update to my Dreamwidth profile and Intro post. Most of my Pillowfort entry this year was a slight update to tags:
I tend to use Pillowfort to share personal reactions after an episode or grumble-slash-vent in a view locked space, so I don't have a lot of fandom content on my fort that I'd consider interesting. I'm not even sure I'd say I'm a 'fan' of some of the series I've mentioned, if someone expects me to like the canon and engage with fannish work relating to it. However, I have some of my tags below the read-more for anyone who'd like to get an idea of what I've grumbled about.
I've done a bit of an update to my Dreamwidth profile and Intro post. Most of my Pillowfort entry this year was a slight update to tags:
I tend to use Pillowfort to share personal reactions after an episode or grumble-slash-vent in a view locked space, so I don't have a lot of fandom content on my fort that I'd consider interesting. I'm not even sure I'd say I'm a 'fan' of some of the series I've mentioned, if someone expects me to like the canon and engage with fannish work relating to it. However, I have some of my tags below the read-more for anyone who'd like to get an idea of what I've grumbled about.
I have a tag that goes on all fannish content of my own - fan scribbling. Due to the naming conventions of some shows, I also tag tv shows if applicable. As of January 2025, I've tagged such shows as: All Creatures Great and Small, Annika, Ghosts, Killing Eve, Only Murders in the Building, Magpie Murders, Monarch, Pose, Prodigal Son, Supernatural, The Ark, and What We Do In The Shadows.
Due to the nature of venting, some content is view-locked and other fandoms have also been referenced without being explicitly named or tagged (example: Harry Potter). My view-locked tags: #followers only, #mutuals only, #login only.
Copied from my fort sidebar:
Due to the nature of venting, some content is view-locked and other fandoms have also been referenced without being explicitly named or tagged (example: Harry Potter). My view-locked tags: #followers only, #mutuals only, #login only.
Copied from my fort sidebar:
Links: About Me || Fort Brochure || Tags
BetterDiscord
Wednesday, 27 November 2024 06:00 pmKeeping track of some links from @the-final-sif [alternate link]:
I haven't tried BetterDiscord myself, but it might be something I want to look into at some point in the future.
Also, if you're someone who'd like to customize your Discord further, or remove Nitro garbage or bypass it, Better Discord (an open source project) can be used on desktop for a lot of fun results: BetterDiscord home page.
Plugin options can entirely replicate nitro stuff, and enhance privacy, such as:
I haven't tried BetterDiscord myself, but it might be something I want to look into at some point in the future.
SqWA Archiving
Monday, 25 November 2024 02:30 amThis is just a note for future-me, since I'm not very good at remembering to check back in on SquidgeWorld Archive. But instead of one additional category for QPR, there are now some notable differences when cross-posting AO3 works.
SqWA has added to the Archive Warnings: Incest and/or Incestuous Relationship(s), and Suicide/Suicidal Ideation.
SqWA has added to the Categories: NB/F, NB/M, NB/NB, and Vs./Antagonistic.
SqWA has added to the Archive Warnings: Incest and/or Incestuous Relationship(s), and Suicide/Suicidal Ideation.
SqWA has added to the Categories: NB/F, NB/M, NB/NB, and Vs./Antagonistic.